Production crew shooting with professional lighting at Higher Studio Production

Video that sells, not just plays

Commercials, corporate video and social content, shot on cinema cameras and finished in-house. Creative support included, from idea to final cut.

Or call us at (917) 873-6220

4
simultaneous cameras
100%
post-production in-house
EN / ES
we shoot and subtitle in both
2019
producing since

What we produce

Social content

Short-form video from a single studio session, cut for each platform.

Corporate video

Company profiles, internal comms and recruiting pieces.

Commercials

Product and brand spots, scripted and directed with you.

Live & multicam

Streaming and multicamera production with the ATEM switcher.

What we shoot on

Cinema bodies and glass, broadcast audio and a full post pipeline. No rentals, no surprises.

Sony FX6 and FX3 bodies with Sony G Master glass

Professional lighting systems

DJI gimbals and stabilization

Sound Devices MixPre-10 II, 32-bit float recording, Shure microphones

ATEM switcher: up to 4 simultaneous cameras in multicam

Professional teleprompter and live streaming systems

Full post-production: editing, color, audio, graphics, subtitles and VFX

How a project runs

01 Brief & concept

We start from what the video has to achieve, not from what it should look like.

02 Pre-production

Script review, shot list, locations, talent and scheduling.

03 Shoot day

Cinema cameras, lighting and broadcast audio, with our crew running it.

04 Post in-house

Editing, color, sound, graphics, subtitles and VFX. Nothing gets outsourced.

Creative support is part of it

We do not just point cameras. Idea development and script review come with the production, because a well-shot video with nothing to say still fails.



The crew, working

Our own gear and our own people, hair and makeup included. No rentals and no freelance roulette.

Hair and makeup on site before anyone sits in front of a camera. Most people are not used to being filmed, and it shows on their face before it shows in the edit.
Hair and makeup on site before anyone sits in front of a camera. Most people are not used to being filmed, and it shows on their face before it shows in the edit.
A documentary interview lit on location: key, fill and a camera already framed before the subject sits down.
A documentary interview lit on location: key, fill and a camera already framed before the subject sits down.
The shot as the director sees it, on an external monitor, so framing gets decided before the take and not in the edit.
The shot as the director sees it, on an external monitor, so framing gets decided before the take and not in the edit.
Boom overhead instead of a lavalier when the room allows it. It is the difference between usable audio and audio you fix later.
Boom overhead instead of a lavalier when the room allows it. It is the difference between usable audio and audio you fix later.
Gimbal work on location, with a shotgun mic on the rig and comms on the operator.
Gimbal work on location, with a shotgun mic on the rig and comms on the operator.
Corporate portrait session: two softboxes, a reflector and a marked spot on the floor.
Corporate portrait session: two softboxes, a reflector and a marked spot on the floor.
Shooting tethered to a laptop, so what the camera sees is reviewed before anyone moves on.
Shooting tethered to a laptop, so what the camera sees is reviewed before anyone moves on.

Every project is quoted

There are no fixed packages, because no two videos need the same thing. You tell us what the video has to achieve and we come back with a plan, a treatment and a number. No charge for the proposal.

What to send us

  • What the video is for and who has to watch it
  • Where it will be published: social, web, TV, an event
  • Roughly when you need it
  • Any reference you like, even if it is from another brand

Projects start at $1,500, so you know where the floor is before we talk. Quotes do not include taxes.

Tell us about your project

Send us the idea and we will come back with a plan and a quote.